April 4th, 2025

Arts & Entertainment

• 92nd Annual Daffodil Festival This Weekend
  • Residents in Tacoma, Puyallup, Sumner and Orting will soon see daffodils returning to their streets. The 92nd Daffodil Festival Parade is this Saturday, April 5. The parade begins at 10:15 a.m. in Tacoma and will move along Pacific Avenue between South 12th Street and South 21st Street. Floats will then move to Puyallup at 12:45 p.m. and will travel across Fourth Avenue Southwest, Third Street Southwest, West Meeker Avenue, South Meridian and Seventh Avenue Southwest. The Sumner parade is next, starting at 2:30 p.m. The parade will move along Main Street, between Kincaid Avenue and Lewis Avenue. Finally, the parade will arrive in Orting at 5 p.m. Twenty-four princesses from high schools across Pierce County make up the parade’s royal court. High school bands, floats and businesses will also be part of the parade.This year’s Daffodil Queen is from Silas High School in Tacoma.

• Tacoma’s Historic Homes Tour Returns for 25th Year
  • For 25 years, the Historic Homes of Tacoma Tour has welcomed thousands of community members and visitors into some of the most significant and grand houses and structures in the city of Tacoma. Tacoma Historical Society is pleased to bring this grand event back this May 3-4. Over two days, visitors will have the opportunity to go inside seven historic structures in north Tacoma. The tour offers a rare chance to visit otherwise private historic residences, where you will see architectural details, design features, and clues about how Tacomans lived in years past. This close-up encounter with Tacoma’s historic houses will give you a unique view of the city, as you learn about the history behind the houses’ architecture and the personal stories behind their doors. For complete details and to purchase tickets, visit: https://tacomahistory.org/hometour

• Bandit Theater and Real Art Tacoma Present Two Improv Comedy Shows
  • Bandit Theater and Real Art Tacoma Present Two Improv Comedy Shows this Saturday April 5th at 7:00 and 9:00pm. First Date: Watch what happens when two strangers go on a blind date—on stage! Join Bandit Theater as we watch them attempt to fall in love before our team of improvisers make up comedy based on their date. Is it going to be a love connection, or will it crash and burn? Anything can happen on a First Date! Almost Yours: Join us as our improvisers bring these near-misses and “what ifs” to life on stage. Inspired by the fleeting moments and unspoken connections shared on Craigslist’s Missed Connections, each show starts with a real missed connection, then spirals into a world of imagined possibilities—where almost relationships, almost friendships, and almost encounters unfold in unexpected and hilarious ways. One show for $15 or the whole night for $22.50! Tickets available here.

• Barlow Gallery’s Art, Wine & Music by Plaid Lion Friday, April 11th
  • Enjoy Barlow Gallery Art, Wine & Music @ Ebony & Ivory! Join us for an evening filled with fine art, photography, wine (or coffee), and live music by indie jazz pop duo, Plaid Lion. Experience a showcase of local artists displaying their stunning artwork, sip on a selection of fine wines, and groove to the rhythm of some talented musicians. Whether you’re an art enthusiast, a wine connoisseur, or a music lover, this event has something for everyone. Free art exhibition, cash bar. Learn more.

• South Sound Plein Air Paint Out at Pt. Defiance Park
  • Please join us for the first ever South Sound Plein Air Paint Out happening April 12th at Pt Defiance Park in Tacoma.  We will meet at the Rose Garden at 9:00 and paint for a few hours.  There is parking located near the rose garden and around the main entrance to the park as well as at Owen’s Beach, and at Anthony’s near the ferry terminal. Bathrooms and water are located near the Rose Garden, Owen’s Beach and at the Pt Defiance Boathouse.  You are welcome to paint anywhere in the park as there are endless locations such as the Pagoda, the marina, the ferry dock, formal gardens, native plant garden, Owen’s Beach and many more.  Painting with a buddy on the trails or deeper in the park is advisable. For questions, please email [email protected]

• Hotel Murano Launches Artist in Residence Program Starting with Lisa Daniel: Reception 4/5
  • Hotel Murano has launched its new Artist in Residence program, offering local artists the chance to showcase large-scale artwork for an entire year. Tacoma-based artist Lisa Daniel has been selected as the first artist for this program. Known for her bold, expressive art created through pouring paint onto the floor, Lisa’s work combines fluid acrylics with various materials to create textured, abstract compositions. To celebrate the residency, an opening reception will be held on April 5th from 2-6 pm. Lisa is represented by the Barlow Gallery, with locations at Hotel Murano and on Market Street in Tacoma. For more about her work, visit pouriton.studio or her page on the Barlow Gallery website.

• Grit City Magazine Photography Classes are Finally Happening!
  • It took a while to get all the details worked out but they have the first four classes up on EventBrite: → No BS Photo Critiques (Apr. 2nd) → Intro to SLR/mirrorless photography, including manual settings (Apr. 6th) → Working with RAW Files, Editing, and Basic Retouching (Apr. 23) → Shooting in the Dark: Low Light and Long Exposure Photography (Apr. 30)
    More info here.

Neighborhood News

• Pride Celebration Moving to Wright Park
  • The annual Tacoma Pride celebration will take place at Wright Park on July 12 from noon to 6 p.m., moving from Fireman’s Park due to the event’s growth, with over 20,000 attendees in recent years. The 27-acre Wright Park, located at 501 S. I St., was selected for its ability to accommodate large crowds and features like food trucks. The event will include music, dance, and drag performances on two stages, and while it is open to all ages, there will be a beer garden for those 21 and older. Drag queen Trixie Mattel will host a DJ set for The Mix’s Block Party that evening. The Pride celebration is mainly funded through local sponsorships, vendor fees, and a grant from Tacoma Creates. However, concerns about potential funding shortages exist due to a federal shift impacting corporate sponsorships and diversity initiatives.

• Star Center’s Senior Resource Fair April 12
  • Find out what local organizations have to offer seniors in our community at STAR Center’s Senior Resource Fair on April 12. Light refreshments, a variety of program demonstrations such as fitness classes and cooking classes, and vendors from a variety of backgrounds that provide services and resources to seniors will be available during the event. Need a ride to the event? Reserve a spot on our round-trip shuttle. Only $8 per person with pick-up from Center at Norpoint, Eastside Community Center, and People’s Community Center Learn more at parkstacoma.gov/event/senior-resource-fair. This event is supported by United Healthcare

• Puyallup Tribe Working on Acquisition of Minterbrook Beach Front in Key Center
  • The Puyallup tribe is currently involved in discussions for the acquisition of the property at Minterbrook, beach front which can create one of the best opportunities in our lifetime. This property entails 255 acres of aquatic land, and 31 acres of dry land located in Key Center, Washington. This property is within our U and A (Usual and Accustom) Fishing and hunting grounds. This property will contain 850,000 Geoducks planted on 4.5 acres with an additional 55 acres expandable. This will also provide One million Geoduck seed planted per fiscal year. In addition to, Pacific Oysters which 40 million are currently planted on a parcel of the property (51 acres). Also, Kumomoto Oysters at 5.5 million units, which are planted on an additional 4 acres and 35 million Clams planted on 33 acres. This property and its current status is a turnkey business and will pay itself back overtime. Most importantly they will be acquiring one of the most critical aquatic pieces of property in our lifetime and for future generations. The Minterbrook property is a part of their ancestral homeland and waters. This in of itself should be a consideration in addition to the business opportunity it can provide and the employment opportunity for our membership. This kind of opportunity may never happen again; it is paramount that they act and acquire this property. Along with the ancestral significance, the salvation of the natural resource of shellfish is at stake. With the depletion of the current wild Geoduck population, we are forced into saving this resource at any mean necessary, and do not want to have another example of the salmon depletion that we currently face. This acquisition gives the opportunity to continue the cultural way of life and food sustainability. Thanks should go to all the council members that advocated for this acquisition. The process of researching and creating the “blueprint” of a tentative purchase and the time and effort that required all due diligence. There should also be acknowledgement and thanks to the Puyallup Tribal Enterprise and its staff for carrying out the process in this endeavor.

Local Governance

• Transgender Flag Flies Above Tacoma’s Prominent Locations
  • On March 31, the City of Tacoma made history by raising the Transgender Pride flag at several prominent locations, including the Tacoma Dome, Police Headquarters, Fire Headquarters, and Municipal Building, in recognition of Transgender Day of Visibility. This marks the first flag raising following the City Council’s adoption of Resolution 41642, which established a process for displaying commemorative flags at City-owned facilities. Council Member Olgy Diaz emphasized the importance of standing together to celebrate the joy and resilience of the transgender community in the face of adversity. Mayor Victoria Woodards highlighted the city’s commitment to inclusion, stating that the flag’s presence at these key locations symbolizes Tacoma’s dedication to safety and belonging for all. Oliver Webb, Executive Director of the Diversity Alliance of the Puget Sound, spoke to the significance of the flag as a symbol of solidarity and visibility for the transgender community. The new flag policy, which includes the Transgender Pride flag, was developed with community support and respect for U.S. flag protocols. The flags were donated by local partners at no cost to the city.

• City of Tacoma’s Events and Recognitions Committee Approves Funding for Local Events
  • The City of Tacoma’s Events and Recognitions Committee (CERC) has approved $90,000 in Special Events funding to support 26 organizations hosting public-benefiting events in 2025. These events will celebrate Tacoma’s diverse communities through music, arts, food, dance, and more. Each funded event will receive between $2,500 and $5,000 to cover costs like infrastructure, performers, and marketing. The funding process is merit-based, considering factors like equity, community impact, and organizational capacity. Additionally, CERC has recommended 11 events for non-monetary support through the City Event Services program, which provides crowd control and public safety assistance from various City departments. The Juneteenth Celebration has been designated as a Citywide Event, joining other major events like Tacoma Pride and the Daffodil Parades. Events supported under this program in 2025 include Lunar New Year, Wayzgoose, and the Soul Food Festival, among others. For more details on the full list and future applications, visit tacomavenues.org.

• Did You Know You Can Testify at Committee Meetings in Washington?
  • The Washington State Legislature encourages public participation in committee meetings where individuals can share their opinions on bills and issues. Anyone can testify in person, remotely, or submit written testimony. To testify, people must find out when meetings are scheduled, prepare their testimony, sign in, and understand the committee procedures. Written testimony can be submitted online up to 24 hours after the meeting or emailed directly to committee members. For those who wish to contact legislators directly, they can send letters, emails, or make calls. The state’s legislature is highly accessible, offering accommodations and language interpretation as needed. Lobbyists must follow specific guidelines, but if representing themselves without compensation, they generally do not need to register. The process is designed to ensure transparency, respectful behavior, and public involvement in lawmaking. For more information, you can visit the Washington Legislature’s website.

Business & Opportunities

• Job Fair for Youth April 11th at South Hill Mall
  • Join the Collaboration For A Cause Youth Job and Resource Fair on April 11th, 2025, from 11 am to 2 pm at South Hill Mall in Puyallup (located in the center of the Mall)! Connect with over 45 local employers. Whether you’re seeking part-time or full-time work, training opportunities, or career growth, they have something for everyone. Employers including Vulcan Metals, Waste Connections, and Puget Sound Naval Shipyard offer union benefits, paid training, and more. There will be help to create resumes on-site, so bring your details and be prepared to make a great first impression! You’ll also have opportunities for immediate interviews with employers actively hiring across diverse industries such as construction and healthcare. Don’t miss your chance to gain valuable skills and connections that could shape your future.

• Parks Tacoma Announces Auditions This Weekend for Shakespeare in the Park
  • Announcing auditions on April 5, 6 and 7 for Shakespeare in the Park: A Midsummer Nights Dream! Find out how to schedule your audition appointment at the link! Shakespeare in the park is a much-loved Tacoma tradition, occurring outdoor in parks each summer season. This year the production team aims to feature South Sound performers! Shows will run on four days in August. Monologue choices can be found on the website on the “requirements” tab.

• NINE dot ARTS Seeking Artwork for Inside Mary Bridge Hospital in Tacoma
  • NINE dot ARTS and Mary Bridge Children’s Hospital in Tacoma are seeking artwork from Washington State or Northwest U.S. artists for the interior of the new hospital. The artwork is expected to be installed by December 2025. Existing, available artwork is preferred but select artists will receive a design fee to develop a proposal for newly commissioned works as well. Submission deadline is midnight on April 25, 2025. Find out more here.

• Showcase Your Art at Artapalooza
  • Artapalooza is a vibrant celebration of creativity that will be held June 14th in Lakewood. They are currently seeking artists and vendors for paintings, sculpture, jewelry and more, as well as live art and performer demos. Why should you apply? It’s a great place to sell and showcase your art, connect with art lovers and buyers, and be a part of an amazing creative experience. Apply now! Limited spots available. Apply here.

A Word From Our Sponsors…

Recreation & Wellness

• Rebuilding Hope Centers Hosting Events for Sexual Assault Awareness Month
  • Rebuilding Hope is hosting a series of events throughout April to mark Sexual Assault Awareness Month (SAAM) and raise awareness for sexual assault survivors. These events aim to support survivors, raise funds for trauma-informed services, and promote community involvement across Pierce and Kitsap Counties. Key events include: HOPE’n Mic Nights at Kimball Coffeehouse every Thursday from 6:00-8:00 p.m., featuring local artists and a portion of drink proceeds going to Rebuilding Hope. Pint Night at Silver City Brewing in Bremerton on April 14 from 4:00-8:00 p.m., with $1 from every pint sold benefiting Rebuilding Hope. 50th Anniversary Spring Soirée on April 25 at Silver Cloud Hotel, featuring a 70’s Glam gala, live auction, and entertainment to celebrate Rebuilding Hope’s 50 years of service. Rebuilding Hope provides essential advocacy, therapy, and prevention services for survivors of sexual assault in Pierce and Kitsap Counties. For more details on events, visit www.rebuildinghope.org/events.

• Part of Pt. Defiance To Be Closed For Construction
  • Starting in May, a section of Five Mile Drive at Point Defiance Park in Tacoma will be closed for about a year for the construction of a new paved trail to improve safety and connectivity for pedestrians and cyclists. The closure will affect the road from the turn at Waterfront Drive to Animal Loop Road, but visitors can still hike and visit locations like Owen Beach. A non-paved detour will be available for pedestrians and cyclists. Drivers will need to use alternative entrances, with access to the Lodge, Pagoda, and marina through Pearl Street, and access to other areas like the zoo and Owen Beach via Mildred Street. This construction is part of the second phase of the Loop Trail improvement project, which aims to create 1.6 miles of paved trail for safer walking and biking. The project is funded by a $3.25 million grant and additional funds from a 2014 voter-approved bond. The new trail will connect to existing paths, including the Wilson Way pedestrian bridge. While construction will result in the removal of up to 60 trees, efforts will be made to minimize tree loss. The project is timed for the dry season to prevent delays and additional costs associated with working in wet weather. Additionally, the city will replace an old water line along Five Mile Drive during construction.

Film & TV Reviews

• Film Review: Death of a Unicorn, by Elizabeth Mulloy
  • Just two weeks after Opus, A24 has dropped another “Eat the Rich” horror satire, this time featuring unicorns on a murderous rampage. Yes, you heard that right: unicorns, not as the whimsical, rainbow-farting creatures of children’s stories, but as terrifying, bloodthirsty beasts. Yet, despite this intriguing premise, Alex Scharfman’s Death of a Unicorn left me completely bored, failing to deliver either scares or laughs.
  • Death of a Unicorn suffers from an identity crisis, unsure whether it wants to be a campy satire or a Jurassic Park-esque horror about billionaires playing God, only to discover that God bites back. Unfortunately, it settles uncomfortably in the middle, resulting in a film that is neither particularly scary nor especially funny. Given its premise, Death of a Unicorn seemed primed for a more overtly satirical approach. After all, when Elliot (Paul Rudd) accidentally hits a unicorn with his car, and his billionaire boss, Odell Leopold (Richard E. Grant), attempts to exploit the creature’s magical properties, only for its vengeful parents to strike back, the stage is set for a sharp, eat-the-rich horror comedy. Yet, the film’s lifeless execution brings nothing new to the genre beyond the all-too-familiar refrain of “billionaires bad.” That said, Richard E. Grant and Will Poulter seem to be the only ones who understand the film’s potential, delivering campy, over-the-top performances that inject just enough energy to keep it somewhat entertaining.
  • When the unicorns aren’t wreaking havoc on the billionaire elite, the film shifts focus to a father-daughter storyline centered on Paul Rudd’s character, a lawyer for the Leopolds, and his angsty teenage daughter, played by Jenna Ortega. Unfortunately, this subplot is painfully bland. The dynamic is meant to explore their strained relationship, Ortega’s character resents her father for working for the Leopolds, while he justifies it as a means of financial security for them both. However, the emotional core never lands, as both Rudd and Ortega seem to be phoning in their performances. Without genuine chemistry or depth, their relationship ultimately falls flat, leaving this aspect of the film as lifeless as the rest.
  • Overall, Death of a Unicorn doesn’t leave much of an impression. Despite a promising premise, its refusal to fully embrace its own absurdity results in a film that is neither funny nor frightening. Given A24’s track record, I expected more, especially at a time when the studio seems to be in a bit of a slump.
  • My Rating: C

• TV Series Review: Severance, by Elizabeth Mulloy
  • After nearly three years, Apple’s groundbreaking psychological thriller Severance finally returns
  • choreography and merriment as it pulls the audiences back into its meticulously crafted nightmare of corporate servitude. That prolonged hiatus has only fueled speculation about where the series will venture after its electrifying season one finale—a jaw-dropping revelation that Mark’s supposedly deceased wife, Gemma, is very much alive within the walls of Lumen, and that Helly R. is none other than Helena Eagan, heir to the company’s shadowy empire. Season two wastes no time plunging us back into the eerie, fluorescent-lit purgatory of the Severed Floor, where every controlled step and stifled whisper carries the weight of something sinister.
  • Opening with Mark S. frantically navigating the sterile corridors of the Severed Floor in search of Gemma, Severance returns with an almost pilot-like approach—reorienting viewers to the eerie, oppressive world of Lumen Industries while unpacking the fallout from season one’s shocking revelations. Yet, despite Lumen’s outwardly unshaken facade, tensions simmer beneath the surface, and new mysteries begin to take shape. However, for all its intricate setup, season two’s narrative remains surprisingly stagnant. In hindsight, it’s evident that the writers had a clear destination in mind but struggled with the journey, resulting in a story that often feels meandering and convoluted. And yet, despite its structural flaws, Severance remains hypnotically compelling—its eerie atmosphere and masterful tension ensuring that even when the plot stumbles, the series never fully loses its grip.
  • One of season two’s most glaring weaknesses is its fractured narrative structure. Overstuffed with subplots that ultimately lead nowhere, the story meanders through a labyrinth of half-formed ideas that feel more like narrative padding than meaningful developments. Dillon’s relationship with his outie’s wife, Cobel’s return home and the origins of Severance, Helena’s navigation of Lumen’s executive world, Irving’s outie attempting to rekindle a romance his innie had with Burt; these threads dangle without resolution, stretching the story thin as the writers seemingly stall the narrative they truly want to tell.
  • Even within the main storyline, coherence remains elusive. Mark’s reintegration arc, for instance, is introduced with weight in episode three, only to vanish in episode four, then resurface briefly at the end of episodes five and six. Meanwhile, Helly R. ’s true identity as Helena Eagan, though an intriguing concept, is so telegraphed that the reveal feels underwhelming, reducing our trio of protagonists to unwitting pawns rather than sharp-minded rebels. Yet, when Severance soars, it ascends beyond the mundane. Moments like the devastating truth of Gemma’s post- “death” existence, the eerie Woe’s Hollow retreat, Milchick’s quiet defiance against Lumen, and the series’ ever-compelling meditation on the ethical divide between innies and outies remind us why this show remains a storytelling powerhouse. But when it falters, it plunges to near rock bottom.
  • The show’s saving grace? Its masterful filmmaking—Severance still boasts some of the most striking cinematography, direction, and sound design on television today. Despite the narrative shortcomings of Severance’s second season, its filmmaking remains nothing short of extraordinary. Ben Stiller and his creative team have crafted a visual language that is both surreal and hauntingly beautiful—one that deepens the series’ unnerving atmosphere while elevating it far beyond standard television fare. The show’s visual aesthetic, rooted in stark, liminal spaces and brutalist corporate sterility, is a masterclass in world-building. Every pristine hallway, every eerily symmetrical frame, andevery fluorescent-lit void contributes to a sense of cold detachment, mirroring the psychological and emotional isolation of its characters. It’s a universe that feels both hyperreal and nightmarishly abstract, reinforcing the dystopian horror of corporate control in ways that dialogue alone never could.
  • But Severance isn’t just visually arresting—it’s an expertly composed symphony of sight, sound, and pacing. The direction is razor-sharp, with Stiller’s keen eye for framing and movement heightening tension in even the quietest moments. The editing is meticulous, often creating a rhythmic unease that keeps the audience on edge, playing with time and perception in ways that mirror the disorienting experience of the severed employees. And then there’s the score—a pulsating, otherworldly soundscape that amplifies the show’s creeping dread, immersing the viewer in its hypnotic, claustrophobic grip. Even as the narrative falters, the sheer craftsmanship behind Severance ensures that it remains one of the most visually and aurally compelling series on television. Its ability to transform the mundane into the uncanny, to turn the sterile into the sinister, cements its place as a modern masterpiece of audiovisual storytelling.
  • What elevates Severance even further is the powerhouse ensemble cast, each delivering performances that breathe life into the series’ unsettling world. Adam Scott, long recognized for his comedic chops, has fully reinvented himself as a dramatic force. His portrayal of Mark, both as a defeated widow and a man slowly awakening to rebellion, is nothing short of mesmerizing. Season two pushes him even further, his portrayal of two versions of the same man, each filled with mounting defiance yet shaped by vastly different circumstances, is a testament to his range. With just the ding of an elevator, he transitions seamlessly between them, capturing the delicate balance between identity and manipulation that sits at the heart of the show.
  • Brit Lower steps up in a dual role that demands an even sharper contrast. As Helly R., she is a fierce, volatile presence, the embodiment of raw, untamed resistance. But as Helena Eagan, she transforms into a calculated, ice-cold heir to Lumen’s corporate dynasty. Unlike Mark, whose halves share a deep, if fractured, common thread, Helly and Helena feel like two entirely different people, making Lower’s ability to inhabit both all the more impressive.
  • The supporting cast is equally magnetic. Tramell Tillman delivers a pitch-perfect performance as the unnervingly enthusiastic Milchick, a man whose theatrical exuberance masks an unsettling control. John Turturro, as always, brings a quiet intelligence and depth to Irving, his internal struggles unfolding with heartbreaking subtlety. And Dichen Lachman, finally given the space to shine, infuses Gemma with a haunting vulnerability and tragedy. With not a weak link among them, the cast of Severance fully commits to the show’s unnerving premise, elevating its psychological horror with performances that are as gripping as they are unsettling.
  • Overall, Severance’s second season is a visually stunning yet narratively uneven follow-up. It remains one of the most meticulously crafted and well-acted shows on television, but the once razor-sharp storytelling is beginning to waver. The season often feels directionless, stalling its momentum, and the finale hints at an increasingly convoluted path that risks entangling the series in its own mysteries. Yet, even with these cracks forming, Severance is still a masterfully made and deeply compelling show. The real question is whether it can regain its narrative precision before those cracks become fractures.
  • My Rating: B+

• TV Series Review: The Studio (Pilot), by Elizabeth Mulloy
  • To everyone who constantly complains about how there are no good original films anymore as the only movies that are being made today are reboots, remakes, and sequels, I would highly recommends that you should watch Apple TV+ newest show, The Studio, as it will give you a satirical wakeup call of the reality of modern filmmaking.
  • We follow Matt Remick (Seth Rogan), a wide-eyed studio executive who wants to put artistic driven cinema back into films after being appointed the studio head of Continental Studios. However, it doesn’t take him long to realize that he is going way over his head as he must please the studio CEO Griffin Mill’s (Bryan Cranston) goal of making billions of dollars on IP movies. Soon realizing his dream might only just be a dream.
  • From the very beginning, The Studio makes it clear that it’s not just another Hollywood satire. Taking heavy inspiration from FX’s The Bear, the series immerses viewers in its high-stakes, high-energy world of filmmaking through long, elaborate one-takes. Episode two, in particular, is an ambitious technical feat, unfolding entirely in a single shot that heightens the sense of chaos as characters scramble to keep their heads above water in the relentless filmmaking industry.
  • However, unlike The Bear, The Studio leans fully into comedy. Brimming with bombastic energy, the series expertly blends situational humor, biting satire, and self-deprecating wit, all while offering an unfiltered look at the challenges of working in Hollywood. With Seth Rogen leading the charge, stepping outside his usual typecast in a refreshing and dynamic way, The Studio is already proving to be a standout series. With such a strong start, I’m eager to see how the show continues to evolve, pushing its characters and its biting commentary on Hollywood to new heights. If the opening episodes are any indication, The Studio is shaping up to be one of the most exciting and insightful comedies of the year.

Screenshots… We Scrolled So You Don’t Have To…